Dodo Au Go-Go

Sometimes I look out for out-of-the-ordinary stuff on YouTube to entertain my Little One. You know. for when the standard screen distractions lose their appeal, and you need something attention-catching so you can just get a quick break, gulp down the remains of that cold cup of tea, make that much-needed dash to the bathroom, or drag the laundry out of the hysterically-beeping washing machine. For such moments, I do what anyone with a childhood in Mauritius--with all its French, English, Hindi and other pop culture influences, plus the ad hoc, scattered connections to the those influences that someone who migrated to Australia in their pre-internet, tweeny years--would do. I scanned YouTube for French cartoons and Bollywood songs, starting the ones I could remember from my long-ago childhood. I hoped YouTube's recommendations would find other good ones.  After some detours--in retrospect, it was probably not wise to jump between French cartoons and Bollywood classics--YouTube even

Dodo Au Go-Go is suddenly looking a bit different. After many years of plain white, adorned only with a couple of quirky fonts, a bit of a sea breeze has just come through. The reason for this breeze at this particular time is a bit convoluted but amusing to me, so I'm jotting it down here. In the spirit of doing everything backwards (what the Aussies would call "arts-end up" - except they wouldn't say 'arts', but you get my drift), now that the Falling into the Five Senses anthology is out, I've been trying to wrap my head about marketing for indie (independent/self-published/self-pubbed) writers. Helpful advice on Twitter from the forever-wonderful Sarah Brentyn pointed me towards the idea that a cohesive identity/brand across platforms is one of the helpful things you can do to make yourself more recognisable.  This was a kind of first-step marketing task I could cope with. And so I started thinking about making the look of this Dodo blog more connec